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I am 13 months into a period of spending long stints in a small town in upstate New York for the sake of productive quiet.

I’m readying a book to go to the printers—work that, for me, is all-consuming and necessary.

Love in the Time of Robots Hiroshi Ishi­guro builds androids. Eventually, after a few long minutes, the girl’s breathing grows heavier, and she announces, “I am so tired.” Then she bursts into tears.

Beautiful, realistic, uncannily convincing human replicas. Academically, he is using them to understand the mechanics of person-to-person interaction. That night, in a house in the suburbs, her father uploads the footage to his laptop for posterity.

Even he must admit that the robot is not entirely believable.

In one of these industrial boxes, about 30 students and assistant professors work in a series of near-­silent computer pods and observation rooms.

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I will hear him use that word to describe himself——about half a dozen times.Today, the technical ability to produce a robot that truly looks and moves and speaks like a human remains well beyond our reach.Even further beyond our grasp is the capacity to imbue such a machine with humanness—that ineffable presence the Japanese call .Two girls—both dressed in pale yellow, with child-puffy cheeks, black shoulder-length hair, and bangs—stand opposite each other under fluorescent lights. “Hello.” ¶ The girl repeats the word, quietly, to her robot-self. ¶ Her father feeds her another line: “Let’s play.” The android wiggles its head. Each member of this pair continues making the barely there gestures that serve, through reflex or ruse, as signs of life: Each blinks at regular intervals; each tilts her head from side to side. His daughter looks to him, then back at the android. They have included replicas of a newscaster, an actress, and a fashion model.More precisely: One is a girl, 5 years old; the other is her copy, her android replica. One is processing, in the raw, sensory-overload manner of a human child; the other is performing a series of simple movements made possible by the servomotors installed inside the silicone casing that is its skin. Its mouth begins to open and close slightly, like a dying fish. These androids have made numerous public appearances—in cafés and department stores, singing in malls, performing in a play.

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